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White Carrara Marble
Extrait de parfum Aldehydic Floral
Intensely deep and distinctive
and where the elements on one side of the work reflect those on the other
The Akha Bride by Kimiko Yoshida (2003) Rug White Carrara MarbleThe series of self portraits that have been Kimiko Yoshida's signature since 2001 follow a constant conceptual protocol: always the same subject, the same framing, the same lighting, the same principle of monochrome where the photographer's face tends to disappear. Painting, make up and direct shooting: here no digital retouching, no Photoshop. These are timeless and "abstract" portraits, i. e. devoid of anecdote, narrative and story. Subtle and
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