Gowns like this were not easy to wear, as Madge Garland explained: Not only did women have to learn to walk in their new long dresses, they also had to manage with scarcely any underwear, for the close-fitting torso line and the outrageous back dcolletages ruled out corsets and slips.[] Perfectionists had under-garments made specially for each gown so that the cut of one coincided with the other and no wrinkle defaced the smooth body-line. Worrying about smooth silhouettes would soon become a thing of the past
[70] [71] Many of the clothes worn by Madonna in 1983-85 tube skirts, [72] oversized tops, "Boy Toy" belt buckles, head wraps, and flat, black, buckled, pointy-toed ankle boots were from avant-garde UK designers like PX, [73] BodyMap, [74] and Peter Fox, and the structured-bras-as-outerwear she sported during her stretch-lace-and-fingerless-gloves phase also came from the streets of Europe
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Finish with simple silver jewelry to keep the ensemble from looking too costumey